‘Rear Window’ is an online exhibition at White Cube, inspired by Alfred Hitchcock’s famous 1954 film about the seductions, and the dangers, of looking. Hitchcock returned obsessively to the theme of voyeurism, delighting in forcing on his audience the queasy thrills of the unobserved observer, and implicating them in the associated risks of seeing what one shouldn’t, or misinterpreting what one sees. ‘Rear Window’ is an invitation to consider how artists construct scenes and suggest narratives, use cinematic devices to tease our innate voyeurism, and how they explore and challenge the idea of ‘the gaze’ which Hitchcock’s film was instrumental in formulating. Curated by Susanna Greeves, Director, Museum Liaison, White Cube. Artists: Ellen Altfest, Jeff Burton, Gillian Carnegie, Julie Curtiss, Judith Eisler, Celia Hempton, Danica Lundy, Paul Mpagi Sepuya, Laurie Simmons, Jeff Wall and Carrie Mae Weems.\ See the exhibition here.
Tag: White Cube
White Cube Bermondsey presents a major solo exhibition by Anselm Kiefer encompassing large-scale painting and installation. Find out more Image: Anselm Kiefer, ‘Il mistero delle cattedrali‘, South Gallery 2011
White Cube Bermondsey presents the first European solo exhibition by Harmony Hammond (b.1944, Chicago). The American artist, curator, author and activist was a pivotal figure of the feminist art movement in New York, co-founding in 1972, A.I.R., the first women’s cooperative art gallery in the city, and the journal Heresies: A Feminist Publication on Art and Politics in 1977. Hammond’s earliest feminist work combined gender politics with Post-Minimalist concerns for material and process, frequently occupying a space between painting and sculpture – a focus that continues to this day.
This is the first presentation of Mona Hatoum’s work in London since Tate Modern in 2016. The exhibition includes new and recent installation, sculpture and works on paper. Hatoum’s work reflects on subjects that arise from our current global condition, including systems of confinement, the architecture of surveillance and themes of mobility and conflict. Channelling the poetic charge and metaphoric resonance of a wide range of materials from steel, brick and concrete, to rubble, glass and human hair, in this exhibition she explores the elemental forms of the grid and the sphere, drawing on both the geometric rigour of Minimalist sculpture and the possibilities for its formal collapse. Find out more
‘The Real: Three Propositions’ presents paintings and drawings by Peter Dreher, Konrad Klapheck and Des Lawrence, all of whom use precise, figurative styles to depict people, places and things. These artists merge realms of appearance and consciousness to varying degrees in their work, intermixing objectivity and subjectivity as they conjure things and their meanings in two dimensions. At a time when images and information, factual and fictional, circulate instantaneously, they ask the viewer to slow down and to consider how matter and mind intertwine when the world is re-envisioned. Find out more
White Cube Bermondsey presents Sarah Morris’s first solo show in the UK in six years; Machines do not make us into Machines. Featuring paintings, films, a site-specific wall painting as well as the artist’s first sculptural work, the exhibition reflects Morris’s interest in networks, typologies, architecture, language and the city. Employing an architecture of colourful and abstract forms, Morris’s paintings play on the viewer’s sense of visual recognition. She incorporates a wide range of references, from the graphic identity of multinational corporations and the structure of urban transport systems to the iconography of maps, GPS technology, as well as the movement of people within urban areas. Visit website 17th April – 30th June
Tracey Emin’s new exhibition ‘A Fortnight of Tears’ at White Cube Bermondsey brings together new painting, photography, large-scale sculpture, film and neon text. The collection stems from Emin’s deeply personal memories and emotions ranging from loss, grief, longing and spiritual love. Three monumental bronze sculptural figures – the largest Emin has produced to date -are shown alongside her lyrical and expressive paintings. Developed through a process of drawing, the paintings are then intensely reworked and added to, layer upon layer. White Cube also debuts a new photographic series by Emin titled ‘Insomnia’. Selected from thousands of self-portraits taken by the artist on her iPhone over the last couple of years, these images spontaneously capture prolonged periods of restlessness and inner turmoil.
Doris Salcedo is the latest artist to exhibit at White Cube Bermondsey. The exhibition reflects Salcedo’s continued focus on the experience of mourning and the connection between violence, anonymity and public space. ‘The experience of an individual is always my point of departure. But during the process of making an artwork, I must maintain a distance in order to leave that person intact, untouched. And from there, as soon as I begin working, everything enters into the paradoxical terrain of art.’ In her work Salcedo questions and exposes trauma by exploring its capacity to reveal and connect with grief, carving out a space for mourning that is both poignant and insistent. ‘My work is about the memory of experience, which is always vanishing, not about experiences taken from life’, she has said. The exhibition is open from 28th September – 11th November 2018.
Memory defines us, whether the personal memories that shape our sense of self or the collective, cultural and historical memories on which societies build their identities. Located across White Cube’s London galleries at Bermondsey and Mason’s Yard, Memory Palace is articulated by an architectural framework that leads the viewer through six broad themes of memory: Historical, Autobiographical, Traces, Transcription, Collective and Sensory. Find out more.
White Cube Bermondsey present a large-scale exhibition of works by Beatriz Milhazes. This exhibition foregrounds Milhazes’ explorations in a variety of media including painting, installation, sculpture and collage and her first ever tapestry: a unique, major work created especially for the show. Milhazes has said: ‘I want to have optical movements, disturbing things; such visions that your eyes would be disturbed when you see them.’ Creating what she has termed a ‘dialogue between symbolism and materiality’, achieved through a dense process of physical and conceptual layering, her works employ an abundance of form and colour to offer a vertiginous visual experience. Preview: Tuesday 17 April, 6-8pm Beatriz Mihazes